Yes yes. Don't be sorry. I just wanted to make sure no one did not think I was one of the "Just You"-haters.

its on the FWWM soundtrack, not twin peaks season 2.
not sure why, other than its a knock out track.

um, i have to disagree. it is the same version, except it is the full song, not starting in the middle as it does in ep 29 with sax solo/dance wonderfulness that it is. so id have say to same its not the same, its even better

I assumed we could say any song from season 2, not just what's on the CD.

The version of UTST on the FWWM soundtrack is great, it doesn't mess up the greatness of what they actually used in the show. I mean, "I've got idea man", what's better than that? 

We need a long version on CD of the intro to the Dark Mood Woods/Red Room (the Log Lady intro/Glastonbury Grove music).  That was one of the tracks I was looking most forward to and we only got a little snippet of it.  Same goes for I'm Hurt Bad.

"Harry, I'm going to let you in on a little secret. Every day, once a day, give yourself a present. Don't plan it, don't wait for it, just let it happen. Could be a new shirt at the men's store, a catnap in your office chair, or two cups of good, hot, black coffee. Like this."  -Dale Cooper

 Awwww, heck, I was just trying to make the title short and sweet to draw you in to read the post so your auditory memory would start churning as you remembered some of the best music compositions ever.....

but I have enjoyed reading the feedback of season 2 music in general, throw the guidelines to the wind.  :)

"What credit card do you want to put that on?"
"Caash, prease."

honestly, i work in music, am a part time engineer, and have producer friends young and old. it was ALOT harder to do this sort of thing back then. even on the best recorders. tape can do crazy things. and the voice has differnet timbres according to the key and range you are singing in. speeding up a song in G to sound in C will greatly affect the tone of voice and how natural it sounds. its only in the past 10 years that digital has even gotten decent as far as pitch-shifitng and such. and it is still far from perfection.(ahem*ms. spears). tho i think lynch used its affect well on Ghost of Love.

heres a little treat
a producer friend and bandmate of mine is doing the soundtrack to a musical called "were the world mine"
GUESS WHO HAS A MUSICAL NUMBER?
WENDY ROBIE!
here she is at our studio on the northside of chicago

I'm well aware of that. Isn't that the reason why Marshall doesn't sound natural at all? Is really recording with no processing of any sort except slowing down the tape, record on one of the tracks, and then replay it at the proper speed that hard? I know of several times Brian Wilson did this for effect, and that was in the 60s.

The suggestion that this was easier to do with tape came from a friend of mine who works as a professional engineer. He might be set in his ways, but he didn't think simple speed tricks with tape was that hard. Also, I found this nugget from an audio forum amusing in this context: "I remember the good time of varispeed. I used to record at different speeds, and it gave very interesting sonic results.
Is it possible to do that in Logic?"

Or am I just misunderstanding what you're saying? Are you saying that there's some kind of digital pitch correction or auto-tune involved? Do we know if Angelo used digital in 1990?

Cool picture of Wendy Robie. I always liked her a lot, and I'd love to hear the song. Thanks for posting the picture.

"What credit card do you want to put that on?"
"Caash, prease."

At the risk of repeating myself, my point was this: you wouldn't even need to get the pitch right if you slow down the tape of the pre-recorded bit while recording the vocal. You sing in pitch with the deeper, underwater-ish sound of the guitar and then the voice is the only affected part when you speed it back up. And it wouldn't be that hard to get the pitch right either since modern tape machines can run at standardized speeds. The act of recording would be the hard part, but a competent engineer should be able to do this. I know it affects the vocal track in various ways and that digital technology can accomplish a closer semblance to "natural" sound. But that's the thing: "Just You" doesn't sound natural at all, so what digital can do better than analogue isn't really the issue here. Isn't this a fair assessment? Why would they be "different species", as you say, if "natural" sound isn't the issue?

Thanks again for the Wendy info! Let us know!

"What credit card do you want to put that on?"
"Caash, prease."

i guess i meant they are different in purpose and ease. which i thought was the issue. a varispeed effect can be done easily, digitally or analog. matching a lower vocal to higher music takes much planning. when you slow down the tape, the time slows as well. so if youre at half time, you have to sing twice as long, as the music is twice as long. this affects the phrasing. this is just one example of the adjustments for varispeed, if one is trying to make it sound natural. and by natural i mean in tune and rhythm. the vocals in "just you" are drenched in reverb, so they arent going to sound natural, regardless of pitch. but underneath all that reverb, i thought it was a believable, natural singing voice. so that was how i was defining it. i think we're pretty much saying the same thing, just approaching it from different places.