I don´t think we´re supposed to figure out who called Lucy.

I think this scene was made just in order to add some mystery to the town of Twin Peaks, the people, their true faces and identities, blah blah blaaaah all that TP jazz.

That´s all

Ditte 

I don´t think we´re supposed to figure out who called Lucy.

I think this scene was made just in order to add some mystery to the town of Twin Peaks, the people, their true faces and identities, blah blah blaaaah all that TP jazz.

That´s all

Ditte 

I don´t think we´re supposed to figure out who called Lucy.

I think this scene was made just in order to add some mystery to the town of Twin Peaks, the people, their true faces and identities, blah blah blaaaah all that TP jazz.

That´s all

Ditte 

Who called Lucy? It is a mystery. But it is a great little scene in itself. Here is a thought: The scene right after the "Lucy phone call" scene is of Audrey Horne interrupting Emory Battis' sex fetish ritual, messing with him. We see Emory Battis with painted toenails and a prostitute vacuum cleaning and some other bizarre stuff. Could it be Emory Battis who called the police station as some kinda foreplay to this sex ritual. That he gets stimulated by this sorta thing, calling the police?

And changing the subject a little bit - what is this stuff Emory Battis is doing in this scene? I've always assumed it is a sexual act, a fetish of some kind. Does anyone know what kinda fetish this is?

This is a sentence and you are reading it now.

A fetish bizarre thing obviously... A man who gets excited being upside down, with his eyes folded, toes painted, the sound of a vacuum cleaner and whatever nasty thing Frosty the little snowman was going to do with that ice... Far beyond our abilty to comprehend...

It's interesting that Battis has all those civic achievement diplomas in his office and that he was present in the town meeting, a crowd Coop described as "leaders of this community".

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